Jorge Luis Borges, Historia de los dos Reyes y de los dos Laberintos.
https://fairs.abaa.org/item/1383019410#gallery-3
"The Enthymeme is a (rhetorical) syllogism". Aristotle, Reth. II, 22
"Rhetoric may be defined as the faculty of discovering the possible means of persuasion." Aristotle, Reth. I.2.1
Tiberius said:
Cunctandi causa erat metus undique imminentium discriminum, ut saepe lupum se auribus tenere diceret.
— Suetonius, De Vita Caesarum, Lib.III Tiberius, 25
Before him, Terentius:
Auribus teneo lupum, nam neque quomodo a me amittam invenio neque uti retineam scio.
— Terentius, Phormio 506
Before Terentius, Solomon:
Sicut qui apprehendit auribus canem, sic qui transit impatiens et commiscetur rixae alterius.
— Prov. 26:17
Né creda mai alcuno stato potere pigliare partiti sicuri, anzi pensi di avere a prenderli tutti dubbi; perché si trova questo nell’ordine delle cose, che mai non si cerca di fuggire un inconveniente che non si incorra in un altro. Tuttavia la prudenza consiste nel saper riconoscere le qualità degli inconvenienti, e nel pigliare il meno tristo per buono.
Translation 1: Indeed, it had better recognize that it will always have to choose between risks, for that is the order of things. We never flee one peril without falling into another. Prudence lies in knowing how to distinguish between degrees of danger and in choosing the least danger as the best. (Donno transl.)
Translation 2: Never let any Government imagine that it can choose perfectly safe courses; rather let it expect to have to take very doubtful ones, because it is found in ordinary affairs that one never seeks to avoid one trouble without running into another; but prudence consists in knowing how to distinguish the character of troubles, and for choice to take the lesser evil.
Translation 3: No government should ever think that it can choose perfectly safe courses of action. Every government should expect to have to run risks, because in the ordinary course of events one never tries to avoid one trouble without running into another. Prudence consists in knowing how to weigh up troubles and choose the lesser ones.
Translation 4: In general, a ruler must never imagine that any decision he takes is safe; on the contrary he should reckon that any decision is potentially dangerous. It is in the nature of things that every time you try to avoid one danger you run into another. Good sense consists in being able to assess the dangers and choose the lesser of various evils.
Concentrate every minute like a Roman—like a man—on doing what’s in front of you with precise and genuine seriousness, carefully, willingly, with justice. And on freeing yourself from all other distractions. Yes, you can—if you do everything as if it were the last thing you were doing in your life, and stop being aimless, stop letting your emotions override what your mind tells you, stop being hypocritical, self-centered, irritable.
Do external things distract you? Then make time for yourself to learn something worthwhile; stop letting yourself be pulled in all directions.
People who labor all their lives but have no purpose to direct every thought and impulse toward are wasting their time—even when hard at work.
Don’t waste the rest of your time here worrying about other people—unless it affects the common good. It will keep you from doing anything useful. You’ll be too preoccupied with what so-and-so is doing, and why, and what they’re saying, and what they’re thinking, and what they’re up to, and all the other things that throw you off and keep you from focusing on your own things.
If you do a job in a principled way, with diligence, energy and patience, if you keep yourself free of distractions, and keep your thoughts ... then your life will be happy.
Choose not to be harmed—and you won’t feel harmed. Don’t feel harmed—and you haven’t been
Most of what we say and do is not essential. If you can eliminate it, you’ll have more time, and more tranquility. Ask yourself at every moment, ‘Is this necessary?’
Remember that our efforts are subject to circumstances; you weren’t aiming to do the impossible. Aiming to do what, then? To try. And you succeeded. What you set out to do is accomplished.
Tell yourself: This thought is unnecessary. This one is destructive to the people around you. This wouldn’t be what you really think (to say what you don’t think—the definition of absurdity).
The Stranger/The Outsider | Albert Camus |
In Search of Lost Time/Remembrance of Things Past | Marcel Proust |
The Trial | Franz Kafka |
The Little Prince | Antoine de Saint-Exupéry |
Man's Fate | André Malraux |
Journey to the End of the Night | Louis-Ferdinand Céline |
The Grapes of Wrath | John Steinbeck |
For Whom the Bell Tolls | Ernest Hemingway |
Le Grand Meaulnes | Alain-Fournier |
Froth on the Daydream | Boris Vian |
The Second Sex | Simone de Beauvoir |
Waiting for Godot | Samuel Beckett |
Being and Nothingness | Jean-Paul Sartre |
The Name of the Rose | Umberto Eco |
The Gulag Archipelago | Aleksandr Solzhenitsyn |
Paroles | Jacques Prévert |
Alcools | Guillaume Apollinaire |
The Blue Lotus | Hergé |
The Diary of a Young Girl | Anne Frank |
Tristes Tropiques | Claude Lévi-Strauss |
Brave New World | Aldous Huxley |
Nineteen Eighty-Four | George Orwell |
Asterix the Gaul | René Goscinny and Albert Uderzo |
The Bald Soprano | Eugène Ionesco |
Three Essays on the Theory of Sexuality | Sigmund Freud |
The Abyss/Zeno of Bruges | Marguerite Yourcenar |
Lolita | Vladimir Nabokov |
Ulysses | James Joyce |
The Tartar Steppe | Dino Buzzati |
The Counterfeiters | André Gide |
The Horseman on the Roof | Jean Giono |
Belle du Seigneur | Albert Cohen |
One Hundred Years of Solitude | Gabriel García Márquez |
The Sound and the Fury | William Faulkner |
Thérèse Desqueyroux | François Mauriac |
Zazie in the Metro | Raymond Queneau |
Confusion of Feelings | Stefan Zweig |
Gone with the Wind | Margaret Mitchell |
Lady Chatterley's Lover | D. H. Lawrence |
The Magic Mountain | Thomas Mann |
Bonjour Tristesse | Françoise Sagan |
Le Silence de la mer | Vercors |
Life: A User's Manual | Georges Perec |
The Hound of the Baskervilles | Arthur Conan Doyle |
Under the Sun of Satan | Georges Bernanos |
The Great Gatsby | F. Scott Fitzgerald |
The Joke | Milan Kundera |
Contempt/A Ghost at Noon | Alberto Moravia |
The Murder of Roger Ackroyd | Agatha Christie |
Nadja | André Breton |
Aurélien | Louis Aragon |
The Satin Slipper | Paul Claudel |
Six Characters in Search of an Author | Luigi Pirandello |
The Resistible Rise of Arturo Ui | Bertolt Brecht |
Friday | Michel Tournier |
The War of the Worlds | H. G. Wells |
Se questo è un uomo, Survival in Auschwitz | Primo Levi |
The Lord of the Rings | J. R. R. Tolkien |
Les Vrilles de la vigne | Colette |
Capital of Pain | Paul Éluard |
Martin Eden | Jack London |
Ballad of the Salt Sea | Hugo Pratt |
Writing Degree Zero | Roland Barthes |
The Lost Honour of Katharina Blum | Heinrich Böll |
The Opposing Shore | Julien Gracq |
The Order of Things | Michel Foucault |
On the Road | Jack Kerouac |
The Wonderful Adventures of Nils | Selma Lagerlöf |
A Room of One's Own | Virginia Woolf |
The Martian Chronicles | Ray Bradbury |
The Ravishing of Lol Stein | Marguerite Duras |
The Interrogation | J. M. G. Le Clézio |
Tropisms | Nathalie Sarraute |
Journal, 1887–1910 | Jules Renard |
Lord Jim | Joseph Conrad |
Écrits | Jacques Lacan |
The Theatre and its Double | Antonin Artaud |
Manhattan Transfer | John Dos Passos |
Ficciones | Jorge Luis Borges |
Moravagine | Blaise Cendrars |
The General of the Dead Army | Ismail Kadare |
Sophie's Choice | William Styron |
Gypsy Ballads | Federico García Lorca |
The Strange Case of Peter the Lett | Georges Simenon |
Our Lady of the Flowers | Jean Genet |
The Man Without Qualities | Robert Musil |
Furor and Mystery | René Char |
The Catcher in the Rye | J. D. Salinger |
No Orchids For Miss Blandish | James Hadley Chase |
Blake and Mortimer | Edgar P. Jacobs |
The Notebooks of Malte Laurids Brigge | Rainer Maria Rilke |
Second Thoughts/The Origins of Totalitarianism | Michel Butor |
The Burden of Our Time | Hannah Arendt |
The Master and Margarita | Mikhail Bulgakov |
The Rosy Crucifixion | Henry Miller |
The Big Sleep | Raymond Chandler |
Amers/Gaston | Saint-John Perse |
Gomer Goof | André Franquin |
Under the Volcano | Malcolm Lowry |
Midnight's Children | Salman Rushdie |
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Rembrandt: Philosopher in meditation |
Heaven is a school; its field of study, the universe; its teacher, the Infinite One...There, when the veil that darkens our vision shall be removed, and our eyes shall behold that world of beauty of which we now catch glimpses through the microscope; when we look on the glories of the heavens, now scanned afar through the telescope; ... what a field will be open to our study!...There the student of science may read the records of creation ...In all created things he may trace one handwriting--in the vast universe behold "God's name writ large"...There will be open to the student, history of infinite scope and of wealth inexpressible... All the treasures of the universe will be open to the study of God's children. Education, 302-307.